Exhibition reveals the more fluid side of Ansel Adams The photography of Ansel Adams is so sturdily composed, so enduringly right that it can feel like the aesthetic equivalent of granite. (“Reflections at Mono Lake, California,” 1948.)

Exhibition reveals the more fluid side of Ansel Adams

The photography of Ansel Adams is so sturdily composed, so enduringly right that it can feel like the aesthetic equivalent of granite.

(“Reflections at Mono Lake, California,” 1948.)

Date June 15, 2012

Notes 11

Tags #Ansel Adams    #photography    #art    #Peabody Essex Museum    #PEM    #water   

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